Berlanga, the bitter laugh: Campaign to promote Berlanga’s work

Campaign to promote Berlanga’s work

Image: La Moncloa

The “Berlanga, la risa amarga” (Berlanga, the bitter laugh) cycle is made up of eight films and will travel around the world in autumn. The exhibition is accompanied by a notebook in which current filmmakers such as Fernando Trueba, Chus Gutierrez and Alexander Payne present each film.

The ICAA (Cinematography and Audiovisual Arts Institute), in collaboration with the Instituto CervantesAccion Cultural Española AC/E and the Spanish Agency for International Development Cooperation (AECID) are launching “Berlanga, la risa amarga”, a cycle whose aim is to bring the work of the Valencian director to cinemas in cultural centres and film libraries around the world. The exhibition, which is made up of eight films, covers five decades of Luis Garcia Berlanga’s work, from his beginnings as a film student with El circo (1949) to La vaquilla (1985).

Although some of the films have already been screened at venues such as the Transylvania International Film Festival, the exhibition will strengthen its presence from September 24, when it can be seen at the Spanish Cultural Centre in Panama. After this stop, it will travel throughout the autumn to Luxembourg, Tunisia, Bolivia and Beijing, among many other places.

The cycle includes a handbook with texts written by current filmmakers that contextualise the selected films. The booklet is opened by Chus Gutierrez, who writes about El circo, an 18-minute short film that García Berlanga directed in 1949 during his stay at the Instituto de Investigaciones y Experiencias Cinematográficas. For her part, Ines Paris reviews Esa pareja feliz (1951), a film recently restored by Filmoteca Española whose end of production date, October 6, has been chosen to celebrate the Day of Spanish Cinema. Nor could Bienvenido, Mister Marshall (1953) be left out, “a bitter satirical comedy”, as Maria Cañas defines it, who vindicates Berlanga’s films as “a breath of fresh satire: caustic, sardonic, irreverent, iconoclastic, unique”.

On the other hand, while Mar Coll writes about Calabuch (1956), Fernando Trueba writes about Placido (1961), in a text where he assesses the possible reasons that have prevented Berlanga’s international recognition and which coincides with Alexander Payne’s reflection on this question in his text on El verdugo (1963). The exhibition is completed by Patrimonio Nacional, a 1980 film about which Miguel Albaladejo talks, and La vaquilla (1985), in whose review Borja Cobeaga vindicates humour as a way of approaching reality.

In addition to accompanying the exhibition in printed format, the booklet is available digitally for download on the websites of Filmoteca Espanola, ICAA, Instituto Cervantes, Accion Cultural Española AC/E and AECID.

Thank you for taking the time to read this article, please remember to come back and check The Euro Weekly News website for all your up-to-date local and international news stories and follow us on Facebook and Instagram.

Author badge placeholder
Written by

Deirdre Tynan

Deirdre Tynan is an award-winning journalist who enjoys bringing the best in news reporting to Spain’s largest English-language newspaper, Euro Weekly News. She has previously worked at The Mirror, Ireland on Sunday and for news agencies, media outlets and international organisations in America, Europe and Asia. A huge fan of British politics and newspapers, Deirdre is equally fascinated by the political scene in Madrid and Sevilla. She moved to Spain in 2018 and is based in Jaen.