$30 hidden house clearance painting breaks auction record with $1.35 million sale

People in the street looking at a yard sale stall.

Art historian Susan Weininger then authenticated the painting. Photo credit rblfmr/Shutterstock

Everyone loves finding a good bargain, whether it is in a clothes shop, charity shop, car boot sale or supermarket. And if you know what you are looking at, you might just stumble across something worth far more than its price tag suggests. That is exactly what happened to one bargain hunter in Michigan, USA, who spotted something most people had already walked straight past.

He was looking for vinyl records at a house clearance sale when something else caught his attention. It was sitting in a dark corner of a hallway leading towards the garage, and there was a detail on it that made him stop and take a closer look. He had no idea at the time that he had found something with a remarkable history.

The painting that cost just $30

Unbeknown to him,  The item was a small oil painting called Alderman Merriam’s Shells, created in 1951 by American artist Gertrude Abercrombie. It measures around 20 by 28 centimetres and shows nine seashells arranged against a dark background, with one shell appearing to float above the surface. Abercrombie was known for her surrealist paintings, often placing familiar objects in unusual and dreamlike settings.

She became an important figure in Chicago’s art scene, with shells, cats, trees, furniture and solitary figures appearing repeatedly in her work. The buyer paid just $30 for the painting. What prompted him to investigate further was the faint signature on the canvas, which read “Abercrombie, ’51”.

An old photograph provided the crucial clue

His search eventually led him to the Milwaukee Art Museum, which was holding an exhibition devoted to Abercrombie called The Whole World Is a Mystery. An exhibition catalogue contained an archival photograph of the same painting. That image had appeared in a 1952 Chicago Tribune review of one of Abercrombie’s exhibitions. It gave the buyer a documented connection between the painting sitting in his possession and the artist’s work from more than seven decades earlier.

Art historian Susan Weininger then authenticated the painting. It had been out of public view for around 75 years, remaining with the same family rather than appearing on the art market. Its earlier history was also uncovered. Abercrombie had given the painting to Dr John Reynolds, a physician in Kalamazoo, Michigan, in exchange for medical services. His family subsequently kept it for generations before it ended up at the estate sale.

From $30 to more than $1.35 million

After authentication, the painting was consigned to Freeman’s auction house for its post-war and contemporary art sale in New York on 1 October 2026. The pre-sale estimate was between $150,000 and $250,000. That would already have represented an extraordinary return on the original purchase, but the bidding went considerably higher.

Bidding opened at $80,000, with five telephone bidders and several online buyers competing for the work. The final price reached $1,352,600, including the buyer’s premium. The sale established a new auction record for Abercrombie and marked the first time one of her paintings had achieved a hammer price above $1 million, according to Freeman’s.

Gertrude Abercrombie’s work is finding a new audience

Abercrombie was born in 1909 and spent most of her life in Chicago. Her paintings often have a deliberately sparse quality, using a small number of objects against plain backgrounds to create strange, unsettling scenes. Her work has attracted increasing attention in recent years, with exhibitions helping introduce her paintings to a wider audience and collectors showing greater interest in her distinctive style.

For Alderman Merriam’s Shells, the journey from a family home to a dark hallway corner at a garage sale and finally to a major auction took around 75 years. The person who spotted it was looking for records and paid $30 for a painting most other buyers ignored. He ultimately walked away with the discovery of a previously overlooked work by an increasingly recognised American artist, one that sold for more than 45,000 times what he paid for it.

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Written by

Molly Grace

Molly is a British journalist and author who has lived in Spain for over 25 years. With a background in animal welfare, equestrian science, and veterinary nursing, she brings curiosity, humour, and a sharp investigative eye to her work. At Euro Weekly News, Molly explores the intersections of nature, culture, and community - drawing on her deep local knowledge and passion for stories that reflect life in Spain from the ground up.

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